He has been sued by Michelin U.K., for the song "Michelin Man", which likened the mascot to a blow-higher doll, in Hippopotamomus (1991); & by Wendy Carlos for the song "Walter Carlos", which postulated that the post-sexual reassignment surgery Wendy could travel back eventually to marry her pre-surgery self, Walter, in Little Red Songbook (1998). Around response to the debt found from either Carlos' suit, which was dismissed, Momus wrote xxx songs just about each human or even class action world health organization accredited a song at the price of $1,000, compiling Stars Forever (1999). Patrons include creative person Jeff Koons, Japanese musician Cornelius, and 3-month-old animator/superhero Noah Brill. It should become noted that Momus designed "Walter Carlos" as a tribute to the owner of Switched-On Bach; he was, in fact, at a peak of his self-described "analogue baroque" cycle. Stars Forever too features the winners of a karaoke contest started on The Little Red Songbook (1998).

More Momus activities include writing for Wired.com [http://wired-vig.wired.com/news/storylist/0,2339,1366,00.html], Vice Magazine [http://www.viceland.com/], Index Magazine [http://www.indexmagazine.com/], AIGA Voice [http://journal.aiga.org/], and Design Observer [http://www.designobserver.com/]. Momus has as well been the sort of guest teacher working in healthy-art projects sustaining students 1st at Future University [http://www.fun.ac.jp/en/] in Hakodate, Hokkaido, Japan during the early months of 2005, and then over agawithin in September at Fabrica [http://www.fabrica.it/], the Benetton "research centre" near Venice, Italy. The book by Momus in photoblogging is forthcoming (March 2005) from British publishers Thames & Hudson [http://www.thamesandhudson.com/].

Quotes
''"I was at a party last year and a little girl drew a picture of all the guests round the table except me. I pretended to be offended and drew myself into her picture, but she ran away screaming and bawling. I had to erase my self-portrait before she'd calm down. That says it all. Our little pictures and our little songs are more important to us than the life they occasionally portray. The world in the end is beyond our control and doesn't care about us. But in our pictures we have the illusion of making sense of the world, improving the world, taking control of it. And suddenly it's no longer either the world or our vision of it, it's a new world, a thing in itself. The drawing comes to mean more to us than the scene it depicts."

"I've always been accused of being the most literary of songwriters. In fact I started off doing lots of experiments with guitars, bottles, tissue paper, smashed pianos and tape distortion which, eventually, out of sheer laziness, I stuck some words on top of. They were out of a book of Brecht poetry, usually, or a hasty pastiche of Brian Eno. For years I searched my guitar for the 'missing chord' that would stop time or make the whole world weep. Now I scroll through a thousand types of digital delay to find the one that will switch the world into slow motion. It's music that really fascinates me. Words come easy, I have a facility with them, I can 'do' words."

"Ultraconformist, voyager, timelord, tennis and ping pong champion, tender pervert, poison boyfriend, hippopotamus, philosopher, folk singer, star forever."'' —Momus' self-description from either his LiveJournal

Albums
Circus Maximus (1986) A Poison Beau (1987) Caring Degenerate (1988) Don’t Prevent A Nighttime (1989) Monsters Of Love (1990) Hippopotamomus (1991) A Ultraconformist (Survive When Away from Fashion) (1992) Voyager (1992) Timelord (1993) Slender Sherbet (1995) A Philosophy of Momus (1995) Twenty Vodka Jellies (1996) Ping Pong (1997) A Little Red Songbook (1998) Stars Forever (1999) Folktronic (2001) Oskar Lawn tennis Champion (2003) Summerisle, the collaboration by owning Anne Laplantine (2004) Otto Skittish (2005)